It is helpful to understand that news, magazine and book images are magical.  News images are comprised of black dots and white space.  At a distance they look fine - up close, not so much.  The printing technique is known as "halftone" - which converts grey tones into a series of dots.  The human eye only has limited resolving power and, at a distance, is tricked into seeing these dots as continuous tone. "Halftone" then is a massive misnomer.  There is only one tone: and it is black. The process is very ingenious: For lighter tones the black dots are small and surrounded by a generous amount of white space.  For darker tones, the black dots are bigger and there is hardly any white space - maybe none. The secret is viewing distance - at a proper distance they look just fine.

Some of the hard work in getting a halftone news or magazine cutting or a year book illustration ready to fix can be done when you scan.  Here are five tips:
1. Adjust the scanner setting to "descreen" - this will lessen the impact of the dots. (If the thing asks you for # lines per inch ("lpi") most old newspapers printed at around 85, magazines maybe 133.)
2. Set the resolution to 600 dpi.
3. Place a black backing card behind the cutting on the glass before you scan - this will balance out the effect of any printing on the reverse side of the cutting.
4. If the cutting has folds or creases, align the crease so that it orientates in the same direction as the movement of the scan light - this will normally be from top to bottom and may require you to place the cutting at an odd angle on the glass.
5. If your scanner has a "sharpening" feature - turn it off and make sure you are scanning in "picture" mode - not document mode. Always scan in color even though the clipping is black and white (actually, probably quite yellow).

So yes, you can get a proper photo from a news cutting and if you are careful it won't be too bad at all!

Our relationship to our personal photographs is a lot richer than it is with other aesthetic objects such as painted or drawn art.  Photographs have aesthetic, historic, emotional, familial as well as fulfillment dimensions - to name just some.  So it pays to preserve, display and celebrate our treasured images; and if they need repair or enhancement, to restore or refurbish them also.

One of the things we have learned in the many years we have been fixing old photos is that photos are multi-dimensional. They satisfy our emotional, intellectual and spiritual needs in unique ways. Looking at someone else's photographs you are likely to lock on to the photo's aesthetics - its colors, structure, physical condition and subject matter: is it pleasing to the eye?  If yes, a stranger to the image will be impressed.  If no, they will look away.  But for the owner of the image, aesthetics is important but really just the starting point.

Our personal photographs are a moment in time, significant to us, frozen for eternity. They are a true form of time travel. What is a photograph if not a privileged glimpse through a small square window into another time and another place?  And prior to the video age they were the only form of time travel. Regardless of how well the elements of an image are arranged, old photos have a historic dimension: they are the past still living and looking unblinking back at us.

And our own photographs have a unique emotional power.  Who can look at a picture of a lost parent, their own wedding, a freshly born child, or a moment of sporting triumph and not be affected? We are connected to our personal photographs whether we like it or not.  We own them but they also own us.  Ever tried to cull that big pile of old family photos?  Cull? Kill: That is how it feels to place a personal photograph into the trash. So we don't do it and resultingly we all have way too many photos piled up!

Many of our old photos also form part of an unofficial family history.  Here is mother when she was just a girl; here is our brother when he turned 40. Neither of them are at the same place now but these photos are all the more important because our family members have moved on. Because we are the person we are - and we are also the sum of all the people we have been.  Our personal photographs are a reminder of the people we have been.

Photographs are also an achievement and one that we take satisfaction and sometimes pride in - they fulfill us. You assembled all those people after Thanksgiving and now here they all are in your snapshot never to be reassembled in the same way every again. You did that; you made that. You felt the mood, you saw the chance, you appreciated the moment and you acted.  In a busy world always worrying about the next thing, it takes energy to slow things down and record the moment. Very few of us are real photographers and too few of us take meaningful snapshots: congratulations and thank you to those who do!

We at PhotoFixRestore are in our 5th decade of a lifelong love affair with photos.  And loving something, we are driven to take care of it; we are passionate about making old photographs everything that they can be.  Whether it is our photos or yours we love photos - let us count the ways.

This young man made his parents very proud graduating from the Los Angeles Fire Academy back in the 1970s.  They had this portrait on their wall for many years - until clumsy Dad brushed past it and knocked it to the ground.  The accident caused the glass to break (and recriminations from Mom) and the photo became torn and scratched from the glass shards. There is a piece completely missing at the bottom.  But luckily the photo was fixable.

On closer inspection, it emerged that the photo restoration and photo repair issues were not confined to the scratches and tears. There was also faint orange spotting across the photo caused by imperfect washing of the chemicals when the photo was first developed.  And, the photo had become faded over time - and some color had been drained away. For a certain generation of photos the cyan (blue) ink is the first to fade.  In some case the loss is so extreme the photo looks red. Here the loss was less serious.

Before going to work restoring the photo we did some research on Los Angeles Fire Department uniforms and insignia of the period.  We learned that the unform is a dark blue, the tie is black, and the insignia is gold.  With that information we went to work and produced this restoration. The work required the surface repairs as well as some hand coloring - including the lips which had become light and slightly off-color.

Once the photo repair was done we sent this "before and after" preview to the client who gave us their approval to go ahead and print.  Since the original was an 8" x 10" glossy that is the photo we made for them.  In addition, we delivered a digital print that can be shared and even reprinted!